THE LOST WEEKEND

The cards were so stacked against this powerful drama, a landmark of filmmaking in Hollywood, that its release in 1945 was a small miracle. Paramount's bosses, Prohibition groups, the mob, and the liquor industry all found themselves on the same side for once-against this production. Only contractual obligation forced the studio to permit Billy Wilder to proceed. A lacerating story of a three-day bender, THE LOST WEEKEND was the first authentic screen treatment of alcoholism. Ray Milland, breaking woth his romantic-lead image against the advice of friends, gave the best performance fo his career as a disillusioned writer consumed with self-pity, walking the streets of New York in search of a drink. Jane Wyman gives a strong performance as Milland's loyal girfriend. When, after a long delay, the film was released this unwanted, almost aborted film was awarded four Academy Awards (for Best Picture, Director, Actor, and Screenplay).